Interactive Circle of Fifths

Rare center with diminished fifth from note “G”. Tense color, often used as passing effect.

Minor with leading 7 from note “G”. Modern jazz flavor and rich modal derivatives.

V7alt from note “G”. Full of colors (#9/b9/#5/b5) with strong pull to resolution.

V7#11 from note “G”. Major base with spicy #4 and b7, fits extended dominants.

Minor with major 7 from note “G”. Bright cadences and an eastern melodic flavor.

HM5 from note “G”. Minor dominant with b2 and major 3, flamenco character.

Octatonic H-W from note “G”. Symmetry and resource for dominant tensions.

Octatonic W-H from note “G”. Diminished structures and altered dominants.

Six-tone whole-tone scale from note “G”. Smooth flow, augmented triads.

Maj7#5 from note “G”. Shimmering top and modern brilliance for long pedals.

Mixolydian with b6 from note “G”. Darker color, good for modal interchange.

Ionian with #5 from note “G”. Lush bright top and cinematic sound.

Dorian with #4 from note “G”. Spicy minor, expressive and colorful.

Softer than classical Locrian from note “G”. Great for ii m7b5, clearer sound.

Lydian with #2 from note “G”. Exotic major with melodic top.