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G Melodic Minor Scale: Degrees, Notes, Intervals, and Practical Use

G Melodic Minor — minor with leading 7 from “G”, modern jazz vibe. Useful in modal context and smooth pedals. Add 9/11/13 on top, handle 7 carefully.

To visually explore a scale, use the interactive circle of fifths — it shows the relationships between notes, chords, and degrees, helping you understand its structure. Next to the circle, you’ll find the guitar fretboard, where all notes of the selected mode are displayed in the same colors as on the circle. Below, you can see the chords that belong to this scale — with degree labels and chord shape thumbnails that you can open and listen to. You can change the guitar tuning, fretboard orientation, and the display mode for notes or intervals. Detailed instructions on how to use the tool are available on the main Circle of Fifths page — check it out to make the most of all its features.

IViViivi°vii°biiiCGDAEBGbDbAbEbBbFMmMmdimdimaug

G Melodic Minor (Jazz Minor)

Gm — Position 1 of 8
012345430012EBGDAE
012345EGbGACDEGABbCDEGbGABbCDEGbGAEBGDAE
i
Gm
012345430012EBGDAE
ii
Am
01234501320EBGDAE
biii
Bbaug
01234524301EBGDAE
IV
C
01234501023EBGDAE
V
D
0123452310EBGDAE
vi
Edim
0123450210EBGDAE
vii
Gbdim
0123454301EBGDAE

Formula and Intervals of the G Melodic Minor Scale

Degree formula: 1 — 2 — b3 — 4 — 5 — 6 — 7. Interval pattern between adjacent degrees: 2 — 1 — 2 — 2 — 2 — 2 — 1. The scale includes the following notes:

  • G — tonic, the main anchor of the mode.
  • A — gentle melodic extension and natural upward step.
  • Bb — minor third, lyrical tone and soft drama.
  • C — quartal spice, best separated from 3 by voice leading.
  • D — perfect fifth, stabilizing anchor of the mode.
  • E — warm upper shade, pairs well with 9.
  • Gb — leading tone to the octave, adds direction.

Together these degrees form the core of the G Melodic Minor mode and define its musical character.

Chords within the G Melodic Minor Scale

Below are the basic diatonic chords that naturally occur on each degree. Use them as a palette for your progressions, keep the bass stable, and highlight color tones in the upper voice.

  • Gm — 1
  • Am — 2
  • Bbaug — b3
  • C — 4
  • D — 5
  • Edim — 6
  • Gbdim — 7

This set forms a solid modal framework: combine triads and seventh chords, add 9/11/13 for color, and separate 3rds from 11ths for cleaner harmony.

Alternative Names of the G Melodic Minor Scale

This mode may appear under other names:

  • G Jazz Minor
  • G Ascending Melodic Minor

All variations point to the same modal structure.

How to Use the G Melodic Minor Scale

Keep the top clear: 9/11/13 above, leading 7 distinct. Explore its modes (Lydian Dominant, Altered) to expand your palette. Works well with static pedals.

Conclusion

G Melodic Minor is a recognizable mode with clear logic of use. Study the formula and intervals, keep color tones in the top voice, build diatonic chords, and try integrating the mode into your own progressions — this way you’ll develop a confident and expressive sound faster.

G Melodic Minor — degree formula (1 — 2 — b3 — 4 — 5 — 6 — 7), interval pattern (2 — 1 — 2 — 2 — 2 — 2 — 1), notes and chords within the mode. Clear explanation and practical guitar tips.

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