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Eb Octatonic H-W Scale: Degrees, Notes, Intervals, and Practical Use

Eb Octatonic H-W — octatonic H-W from “Eb”, symmetric resource for dominant tensions. Useful for altered dominants and sequences. Alternate half and whole steps for expression.

To visually explore a scale, use the interactive circle of fifths — it shows the relationships between notes, chords, and degrees, helping you understand its structure. Next to the circle, you’ll find the guitar fretboard, where all notes of the selected mode are displayed in the same colors as on the circle. Below, you can see the chords that belong to this scale — with degree labels and chord shape thumbnails that you can open and listen to. You can change the guitar tuning, fretboard orientation, and the display mode for notes or intervals. Detailed instructions on how to use the tool are available on the main Circle of Fifths page — check it out to make the most of all its features.

vi°iii°#iv°bii°#ii°bvii°i°v°CGDAEBGbDbAbEbBbFdimdimdimdimdimdimdimdim

Eb Octatonic (Half–Whole)

Ebdim — Position 1 of 2
0567893421EBGDAE
012345EGbGACDbEbEGABbCEbEGbGABbCDbEGbGAEBGDAE
i
Ebdim
0567893421EBGDAE
bii
Edim
0123450210EBGDAE
#ii
Gbdim
0123454301EBGDAE
iii
Gdim
0123452431EBGDAE
#iv
Adim
0123452310EBGDAE
v
Bbdim
01234503421EBGDAE
vi
Cdim
0123453421EBGDAE
bvii
Dbdim
01234501043EBGDAE

Formula and Intervals of the Eb Octatonic H-W Scale

Degree formula: 1 — b2 — #2 — 3 — #4 — 5 — 6 — b7. Interval pattern between adjacent degrees: 1 — 2 — 1 — 2 — 1 — 2 — 1 — 2. The scale includes the following notes:

  • Eb — tonic, the main anchor of the mode.
  • E — spicy minor touch, characteristic of the Phrygian sound.
  • Gb — bright upper color between 2 and 3, emphasizes motion.
  • G — major third, clear support above the tonic.
  • A — Lydian color, keep above 3 for clarity.
  • Bb — perfect fifth, stabilizing anchor of the mode.
  • C — warm upper shade, pairs well with 9.
  • Db — dominant pull toward tonic, typical of Mixolydian.

Together these degrees form the core of the Eb Octatonic H-W mode and define its musical character.

Chords within the Eb Octatonic H-W Scale

Below are the basic diatonic chords that naturally occur on each degree. Use them as a palette for your progressions, keep the bass stable, and highlight color tones in the upper voice.

  • Ebdim — 1
  • Edim — b2
  • Gbdim — #2
  • Gdim — 3
  • Adim — #4
  • Bbdim — 5
  • Cdim — 6
  • Dbdim — b7

This set forms a solid modal framework: combine triads and seventh chords, add 9/11/13 for color, and separate 3rds from 11ths for cleaner harmony.

Alternative Names of the Eb Octatonic H-W Scale

This mode may appear under other names:

  • Eb Dominant Diminished
  • Eb Half-Whole

All variations point to the same modal structure.

How to Use the Eb Octatonic H-W Scale

Symmetry for dominants: source for altered tensions and sequences. Alternate half and whole steps, keep key tones on top.

Conclusion

Eb Octatonic H-W is a recognizable mode with clear logic of use. Study the formula and intervals, keep color tones in the top voice, build diatonic chords, and try integrating the mode into your own progressions — this way you’ll develop a confident and expressive sound faster.

Eb Octatonic H-W — degree formula (1 — b2 — #2 — 3 — #4 — 5 — 6 — b7), interval pattern (1 — 2 — 1 — 2 — 1 — 2 — 1 — 2), notes and chords within the mode. Clear explanation and practical guitar tips.

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