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Guitar Chord Dmaj7#11: Structure, Notes and Theory

Dmaj7#11 — a chord built on the note “D” with a smooth, “creamy” tone and a touch of jazz charm. A traditional choice for jazz and soul, especially effective in gentle dynamics. Brings warmth and fluidity to the harmony. The chord includes alterations: #11 — a spicy tone that requires careful spacing from the third for a clean sound.

To view possible positions and quickly find the most comfortable chord shape, use the interactive fretboard. You can change the guitar tuning, fretboard orientation, and finger display. Detailed instructions on how to use and customize the tool can be found on the main chord navigator page — make the most of it for your convenience.

Dmaj7#11 — Position 1 of 6
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Formula and Structure of the Dmaj7#11 Chord

Interval formula from the root note: 1 — 3 — 5 — 7 — #11. The chord consists of the following notes:

  • D — unison and the main tonal anchor.
  • Gb — major third with a bright major quality and clear stability above the tonic.
  • A — perfect fifth, stabilizing the triad and adding tonal grounding.
  • Db — major seventh with a smooth jazz sparkle and slight tension toward the octave.
  • Ab — sharp eleventh with a bright jazz spice, best placed above the third.

Together, these notes form the harmonic foundation of the Dmaj7#11 chord, defining its sound and role in the musical context.

Alternative Names for the Dmaj7#11 Chord

This chord may appear under different names:

  • DΔ7#11
  • DΔ#11

All variants refer to the same harmonic structure.

Using the Dmaj7#11 Chord

Keep the 7 in the top voice to highlight its jazz smoothness. Add the 9 or 13 for extension, but avoid the clash of the 3 and 11. Use in slow tempos where the chord can “ring out.” Simplify the bass if needed to maintain clarity.

Conclusion

Dmaj7#11 is an expressive and versatile chord. Learn several fingerings, experiment with different positions and voice spacing, then try weaving it into your own playing — this will help you quickly find your unique tone.

Dmaj7#11 — structure, notes, and formula (1 — 3 — 5 — 7 — #11). Brief theory, usage, and fretboard positions.

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